The Killuminati Conspiracy Theory Continues (part 2) – Suge J Knight • Word Is Bond

A little over eight years ago, one of our older writers wrote this compelling piece that got folks talking about Tupac Shakur speaking about the Illuminati. The difference was that the opinion piece took the opposite position that most people was taking. The end result was it became one of our most read (and retweeted) articles that year.

So in between then and today, two years later Afeni Shakur goes after Death Row Records for the second time (which ends up getting bought by eOne) because they breached the contract about getting paid in royalties and getting unreleased music. According to her, she was owed about seven figures. In 2016, Shakur died from a heart attack, and her legal representatives took over the suit. Five years later – and a few days ago – the estate won their case with getting the unreleased music, but not as much money Shakur sought to get.

Suge Knight was once considered as one of the most dangerous men in the industry running Death Row. From all the stories that guests have spoke about on VLAD TV, you can see understand how he has a stronghold on a number of those who worked at the label. Knight got into some serious trouble with killing Terry Carter at a music video shoot, and a few days ago he gets sentenced for 28 years behind bars.

Knight’s son (who also carries his name) decides to drop a loaded bomb that reignites the rumors that Pac is alive and well. There have been theories in the past that he’s living in Cuba, but according to Knight,s son, Suge – he’s alive and breathing in Malaysia, and he’s been kicking it with a few heads of today’s music industry.

According to Suge’s instagram posts, it seems like now he’s being targeted.

Considering all that has happened, why did he decide to bring this questionable theory back into the public conversation – after it has been dead for so many years? Whether or not this ‘idea’ of him being alive and older (as seen in these pictures) has yet to be seen as accurate, the fact that there’s an actual corpse that was seen by many should be enough to put this whole idea to rest.

What about the authenticity of these pictures? Who has taken them? Why are they now being in the public eye, and no one else has seen them? In the comments from the pages, fans are even questioning if they’re even photoshopped – and why the hell are they blurry?

And what about these … ‘sightings‘? And also, didn’t Pac die in the arms of a cop trying to save him?

This whole ordeal shouldn’t have been brought up without any credible sources. Unless one or a couple of people are willing to come to the plate and say that this is actually real, and have more recent pictures that doesn’t look like they’ve been washed up with waterpaint, then the conversation should be laid dead to rest – just like Pac.



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Chuckie Campbell Walks Us Through a Pivotal Spiritual Awakening in Video for "Pretty Girls" • Word Is Bond

Through the story of a woman, Buffalo, NY lyricist Chuckie Campbell opens several spiritual canals for those struggling to heal from a traumatic experience in the video for his recently released single, “Pretty Girls.”

The song, debuted off his second album, Taking Back Tomorrow, delves into the social, somatic, and psychological effects of rape and incest on the life of a young biracial woman, who ultimately cleanses herself of the anathema that coats her life, her rapist stepfather. The video, directed by Denny Kremblas, opens the scene with the young woman walking over water, where viewers feel some sort of spiritual awakening, or relief, from a harsh past. From this opening scene the timeline of precipitating events is flipped, and viewers are forced to walk backwards into her story.

Intimate close-up shots and chiaroscuro-like lighting catch details that may or may not have been planted covertly, such as the sign that reads, “Do More of What Makes You Happy” hanging opposite of the kitchen fridge, and the “LOVE” sign pictured in the full-length mirror which she pauses in front of to examine herself (an act of body dissociation or an attempt at finding self-love). Others were much more conspicuous, like the symbolism of walking on water, the white gown the actress wears (signifying spiritual, supernatural, and biblical importance), and the pouring of wine (also biblical). There are several shots of water–the boat dock, the bathtub, the faucet–which may also signify a baptism or rebirth of some kind.

There are many things done right in this video, even if they seem”by the book” in reference to suspenseful drama. On this woman’s road toward self-salvation, and maybe even atonement, viewers will find relief. And just like the rest of Taking Back Tomorrow, “Pretty Girls” is music for the seven chakras; many of Chuckie Campbell’s songs have messages that surrender us to our own energies; only through ourselves can we learn how to treat others, take control of our lives, and change circumstance. There was probably nobody more fitting to help deliver these messages than Heidi Feek, whose June Carter Cash-like, post-modern jukeboxy vocals call forth images of a lonely and deserted Wild West, where a sharpshooting Annie Oakley supports a women’s prerogative to protect herself. That is perhaps the most powerful takeaway.

Watch the video for “Pretty Girls” below, then check out the rest of the album here.

See Original Article: The Word is Bond